Shot List

Shot:	Character:	Location:	Camera Angle:	Lighting	Type of shot:
1.	Sam (Homeless person who is the witness)	City Centre	high angle, low-angle	Ambient and natural	Tracking shot
2.	Sam	Underpass	Distorted/ tilt, low-angle	Non-ambient, with some daylight added	Close-up (medium)
3.	Sam	Street (in city)	Birds eye, high angle	Ambient	Extreme close-up
4.	Sam	(Ellipsis) Shed area – with wooden planks to create an inter-textual reference to ‘Essex Boys’ with the barred lighting	Close-ups with shots being shown through the wooden planks	Non-ambient	Panning/ close-up, point of view.
5.	Norma (female killer) and Sam and murder victim	Shed area	Rule of thirds, Sam – Wooden planks – Norma and murder victim	Non-ambient	Over the shoulder, point of view (Sam)
6.	Norma	Shed area	Worms eye	Non-ambient	Tracking shot
7.	Norma and victim	Shed area	High angle	Non-ambient	Point of view (Norma), close-up
8.	Sam	Shed area		Non-ambient	Extreme close-up (face)
9.	Norma	Shed area		Non-ambient	Close-up (face)
10.	Sam	Shed area	Rule of thirds	Non-ambient

       Action

1. We will film Sam walking around the streets in the city in an isolated area to suggest his daily life and that he is unsettled.

2. We will then alternate to him sitting in an underpass where there is graffiti and litter which suggests that he is then homeless. This will then familiarise the audience with his situation. A sound bridge will begin of a female whistling which then turns out to be the murderer later on.

3. We then alternate back to Sam walking.

4. Then an ellipsis will occur where it is now night time and Sam is settling in an isolated shed area.

5. Norma – the murderer – will then walk in near to where Sam is and a low angle will be used at her feet whilst she is walking like in the opening to ‘Kill Bill’ to suggest how ruthless and powerful she is.

6. We then use the shadows to imply that she is murdering someone and a scream will be heard.

7. Norma is about to drag away the body to hide them.

8. Sam then makes a gasp sound which alerts Norma, exposing where Sam is.

9. A close-up of Norma’s face will be used to suggest that she is looking directly at Sam.

10.  A rule of thirds shot will be used to show Sam in front of the wooden planks with his back to Norma, and Norma behind the wooden planks looking directly at Sam. The cliff-hanger is then whether or not Sam escapes.